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Research Article

Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics

  • Alessandro D'Ausilio,

    Affiliation: Robotics, Brain and Cognitive Sciences, Istituto Italiano di Tecnologia, Genova, Italy

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  • Leonardo Badino,

    Affiliation: Robotics, Brain and Cognitive Sciences, Istituto Italiano di Tecnologia, Genova, Italy

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  • Yi Li,

    Affiliation: Department of Computer Science, University of Maryland, College Park, Maryland, United States of America

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  • Sera Tokay,

    Affiliations: Şişli Symphony Orchestra, Istanbul, Turkey, Philarmonie de Chambre Tokay, Paris, France

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  • Laila Craighero,

    Affiliation: DSBTA, Università di Ferrara, Ferrara, Italy

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  • Rosario Canto,

    Affiliations: Robotics, Brain and Cognitive Sciences, Istituto Italiano di Tecnologia, Genova, Italy, DSBTA, Università di Ferrara, Ferrara, Italy

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  • Yiannis Aloimonos,

    Affiliation: Department of Computer Science, University of Maryland, College Park, Maryland, United States of America

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  • Luciano Fadiga mail

    luciano.fadiga@iit.it

    Affiliations: Robotics, Brain and Cognitive Sciences, Istituto Italiano di Tecnologia, Genova, Italy, DSBTA, Università di Ferrara, Ferrara, Italy

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  • Published: May 09, 2012
  • DOI: 10.1371/journal.pone.0035757

Reader Comments (2)

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suggested rephrasings

Posted by desmondryan on 13 Feb 2013 at 18:38 GMT

1. Suggest this correction: <Whereas, joint action requires the sharing of the same goal and does not necessarily require a specific motor coordination among all the agents. Both action coordination and joint action require the continuous exchange of information to allow understanding and prediction of other's motor intentions.>
2. Suggest replacing <In conclusion, here we could quantify the non-verbal communication patterns among musicians and conductor that may affects the rather intangible concept of aesthetic quality of music.> with <In conclusion, here we have been able to quantify the non-verbal communication patterns among musicians and conductor that may affect the rather intangible concept of the aesthetic quality of a musical experience.>
Superbly interesting paper! More please!

No competing interests declared.